Bobby-Lyle

Bobby Lyle (Photo: Devino Tricoche)

Part 3 – Bobby Lyle: Making the Most of Pandemic 2020

Acclaimed pianist/organist Bobby Lyle shares with Schmoozejazz.com what he’s been doing during the 2020 shut-in, his projects, processes, and plans for the future.

(Introduction written by Kaylene Peoples)

As we continue with our shut-in from coronavirus, the goal to interview our beloved musicians and creatives continues as we approach our fourth month.  I can safely say the music has not stopped.  Many of us are experiencing it to satisfaction on zoom, Facebook Live, Instagram TV, Youtube, and other platforms with quality performances, blowing us all away.  I recently witnessed a performance of a musical poem, written by Bobby Lyle, which so eloquently reflected current events of racial unrest sparked by the killing of George Floyd.  Bobby Lyle is definitely doing his part to keep the music flowing . . . in spite of the restrictions.

Bobby Lyle at the Long Beach Jazz Festival
Bobby Lyle at the Long Beach Jazz Festival (Photo: Sheryl Aronson)

Pianist/Organist Bobby Lyle has been a fixture in the jazz scene for more than three decades. He is a performing artist, composer, recording artist (with product on Capitol Jazz, Atlantic Jazz, Three Keys, Heads Up, and most recently his own label, New Warrior Music); musical director, music publisher, and music educator. Lyle began his professional career at the age of 16, playing in local clubs in Minneapolis, Minnesota. After high school he enrolled in Macalester College in St. Paul, Mn. Where he took two years of advanced piano studies before hitting the road as a full-time musician. A move from Minneapolis to Los Angeles with his family set in motion a fortuitous set of circumstances that led him to Jazz Crusader co-founder Wayne Henderson, who secured his first record deal (with Capitol Jazz); and also became his first record producer and mentor in the business. Subsequent deals with Atlantic Jazz, Three Keys, and Heads Up allowed him to compile a prolific discography of music over the decades.

Bobby Lyle with Joe Sample at the WAYNE HENDERSON Memorial Service, April 20, 2014. Photo by SCOTT Mitchell

Lyle has served as musical director for Al Jarreau, Anita Baker, Bette Midler (with whom he scored an Emmy nomination for her HBO special Diva Las Vegas), and Phyliss Hyman.  His 1990 project The Journey made it to #1 on the Billboard jazz chart, and he is still the only artist who’s record (Straight and Smooth on the Three Keys label, 2005) appeared on both the Billboard Magazine smooth jazz, and the Billboard traditional jazz charts at the same time. Aside from traveling with his own band, he is also involved with teaching and mentoring jazz piano students both privately, in seminars and clinics.

Highly revered in Houston, TX, Lyle was awarded with a “Bobby Lyle Day” plaque by mayor Anise Parker on August 12, 2012. That same year he began work on his first Hammond B-3 organ CD, The Way I Feel – A Tribute to the Late, Great Jimmy Smith and Guitarist Wes Montgomery. The CD was released in 2013, on New Warrior Music.

Bobby Lyle
Bobby Lyle (Photo: Devino Tricoche)

Questions by Sheryl Aronson
Responses by Bobby Lyle

How has the Corona Virus crisis affected you as a musician?

Like all of my fellow musicians, I have taken a serious hit to the wallet with the Corona Virus crisis because the social distancing has eliminated all large gatherings of people and thus shut down the venues and festivals. Some (like the Berks Festival in Reading Pa.) have vowed to reschedule at a future date as much as one year later, which gives artists and fans at least something to look forward to. The challenge will be to keep body, mind, spirit, finances and health together in the meantime. I’ve already re-connected with my daily prayer and meditation discipline, and have been trending towards a healthier diet.
 
As an artist what has been your creative approach to reach out to public during this time of social distancing?
Fortunately through the internet and social media, we artists still have a conduit to reach our fans who still have a hunger for the music. The difference is probably the same as appearing in a film versus a stage production for an actor. The fuel and energy you get from the live audience is suddenly not there to help boost the performance, so you have to step up your internal motivation to still come across and touch people with your art. The feedback is written in by text or twitter or email during or after the fact.  Regardless, this interaction is still very important.
How have you challenged yourself as an artist during this time?
This forced hiatus and sheltering in place has allowed us the luxury of the one thing there never seemed to be enough of—TIME! Yes, time . . . and lots of it.  So then the question becomes, how will you use it? Since I have no family or children living with me, I have chosen to rededicate myself to my instrument, and go even deeper than I thought I could. I can already see amazing results. I’m also in the finishing stages of my new CD project Ivory Flow.  Going to the park to walk, jog, or bicycle has also (when weather permits) become a part of the routine, especially since my favorite gyms are no longer open. A healthy body replenishes the mind and thus will boost the creativity.
Bobby Lyle (Photo: Devino Tricoche)

What has it meant to you sharing your music so personally to the audience on Facebook/Insta Live?

I will occasionally record myself playing a piano piece and post it on Facebook. I [recently] put up an arrangement of “Amazing Grace,” and the feedback was so positive and people felt so soothed and comforted by it, that I have vowed to start some sort of podcast, maybe once or twice a week. It means a lot to see that what I do offers a musical balm to folks, during these life-disrupting, anxiety-ridden times.
List any upcoming online concerts, CD Releases, etc. that you want to share.
 
  • Any online concerts that I do are still in the TBA stage. However, my page will still contain my random spontaneous solo piano pieces.
  • I am going to continue teaching my jazz piano students, probably via Zoom or Skype.

I am very excited about the above mentioned CD project “Ivory Flow,” which I hope to get finished and released by late summer or fall. Some of my musical friends who have shown so much love for the project and contributed great performances are Gerald Albright, Najee, Kirk Whalum, Rick Braun, Everette Harp, Stanley Clarke, Michael Manson, Marcus Miller, Sonny Emory, Lenny Castro, Pat Williams, Jay Williams, John Calderon, Andre Hayward, Kerry Wilkens, Nate Phillips, and Wonderful vocals by Tatiana (LadyMay) Mayfield on Duke Ellington’s “In A Sentimental Mood”- the only non-original of the 11 tracks. (They range from the funky to the sublime.) This is my first contemporary project in 10 years. I’m loving the way this vision has come together and I’m hoping the public will, too.

 
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