Bunny Brunel

Concerts

Darryl Williams CD Release at Harvelle’s in Long Beach ends 2019 with a Bang!

By Sheryl Aronson 4 years ago

An exciting evening to end the 2019 year was Darryl Williams’s CD release concert. Honored with distinguished guests Chuck Dennis of Oxnard Jazz Festival, Kaylene Peoples/recording artist and founder of SCHMOOZE JAZZ and AGENDA magazines, and Grammy-nominated Bunny Brunel just to name a few, showed up at Harvelle’s in Long Beach to support the concert and to celebrate award-winner entertainment journalist Sheryl Aronson’s birthday on December 29th!

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Concerts

Larry Dunn’s Anthology Earth, Wind and Fire at the Music in Box San Diego

By Sheryl Aronson 5 years ago

During the Music Box concert on July 21st, the thirst for that EWF sound was quenched once we heard Larry’s amazing, unique arrangements of “Got to Get You Into My Life,” “Be Ever Wonderful,” “Serpentine Fire,” “Sun Goddess,” “Reasons,” “Boogie Wonderland,” September,” and the number 1 hit “Shining Star,” and so many more cherished EWF songs.

Podcast

An Interview with Kaylene Peoples of “Romantic Bossa-Nova”

By Sheryl Aronson 5 years ago

On Romantic Bossa-nova: “We open with a Chick Corea tune of all things. It features me on flute, called ‘500 Miles High.’ This song gets the audience going, because it’s still Latin influence, upbeat but still very romantic in its theme. And the traditional ones like ‘Dindi.’ I think that’s the favorite one that people like the most that I do. We do ‘Berimbau.'”

News

Larry Dunn’s Anthology of Earth, Wind & Fire with Luenell, Ronnie Laws, and Ray Parker Jr at The Rose Pasadena, Oct 19th

By Kaylene Peoples 6 years ago

Get ready to take a trip down “Fantasy” and “Got to Get You Into My Life” with a “Shining Star” full of “Reasons” why you should not miss this performance on Friday, October 19, 2018, at The Rose in Pasadena – Larry Dunn’s Anthology of Earth, Wind & Fire!

Editor's Corner

From Contemporary to Smooth: When Did It Change?

By Kaylene Peoples 6 years ago

Did you know “contemporary jazz” used to have a completely different meaning? The definition of words change over time, but when did the shift of “smooth jazz” to “contemporary jazz” actually take place?